Showing posts with label Tomás Crowder-Taraborrelli. Show all posts
Showing posts with label Tomás Crowder-Taraborrelli. Show all posts

October 24, 2019

LUZ DE GAS UTILITY PRICE HIKES AND THE CONTRADICTIONS OF SUSTAINABILITY IN MACRI’S ARGENTINA


By
Alexis Dritsos and Tomás Crowder-Taraborrelli
Photos by Lucas Chillemi
Tomás Crowder-Taraborrelli is a Visiting Assistant Professor of Latin American Studies at Soka University of America, California, USA. He is an associate producer of ITVS and POV, from the Public Broadcasting Service in the United States. He is on the editorial board of the journal Latin American Perspectives (LAP), of which he is co-editor of the film section. He is co-editor of Film and Genocide (University of Wisconsin Press, 2012) and El documental político en Argentina, Chile, y Uruguay (LOM Ediciones, 2015). He also co-edited two special issues for LAP: Political Documentary Film and Video in the Southern Cone: 1950s-2000s (2013), and Media, Politics and Democratization in Latin America (2018).  He is currently co-director of the documentary film journal Revista Cine Documental.
Address: Soka University of America, 1 University Avenue, Aliso Viejo, California 92656

Alexis Dritsos is a member of the National Economic Commission of the Socialist Party and was a candidate for National Deputy for the Socialist and Popular Front, in 2017. He currently works for the National Treasury Department Council of the Judiciary of the Ciudad Autónoma de Buenos Aires. He publishes weekly articles on politics and economics and appears regularly on radio and TV as a pundit.
Address: Calle 13b, Nro. 556, City Bell, Provincia de Buenos Aires, CP 1896. Argentina alexis.dritsos@gmail.com

Lucas Chillemi is a professional photographer living in Buenos Aires. He works as an agricultural administrator in Tres Arroyos. He is a member of the Association of Graphic Reporters of Argentina (A.R. G. R.A). He works as a freelance photographer and is the art director of Espacio Makarius.
Address: Avenida Corrientes 1584, Ciudad Autónoma de Buenos Aires, C1042AAO Lucas.chillemi@hotmail.com


Abstract

Argentine President Mauricio Macri’s price hike policies have deeply hurt the Argentine household economies. This essay seeks to understand the rationale behind the policies and to analyze the rhetoric that Macri has deployed to justify it. Macri and members of his government have made bold pronouncements in the press articulating an elitist, discriminatory view of social advancement. Faced with popular resistance from social movements, opposing political parties, and citizens, price hikes have solidified Macri’s neoliberal approach and are an indispensable component of his austerity plan. In this essay, we consider ways in which price hikes have become a bold instrument of social control and political indoctrination. In particular, we are interested in Macri’s deployment of price hikes and austerity measures as a counter-offensive to successful grassroots movements that emphasize economic and environmental sustainability as a principle of effective social organization.



La vida es un vaso de gaseosa aguada,
como una secuencia de bromas pesadas.
Disfruta este trago porque al terminar
habrá que pagar y quizá pagarlo de más;
habrá que insistir como lo hicimos tantas veces...

Life is a glass of watery soda
like a sequence of heavy jokes.
Enjoy your drink because when finished
we will have to pay
and maybe pay more;
we will have to insist
as we have done so many times (Babasónicos)


We began writing this essay in February 2019. Argentina was suffering once again under the calamitous policies of a neoliberal government and the draconic mandates of the IMF. The road to development, according to this ideological framework, is labor flexibilization and austerity. News programs and newscasters were assessing the political fortitude of Mauricio Macri’s administration. Will Macri and his party win reelection in October 2019? Or will rising utility costs, inflation, interest rates, unemployment, be enough to sway the electorate to vote for a political party of the opposition?
In 2015, right-wing candidate Macri won the presidential election by a narrow margin, aligning the country once again with the transnational neoliberal block. During the campaign, Macri promised a set of policies that would correct the problems inherited from the previous administration- la pesada herencia- without violating acquired rights. As expected by Macri’s critics on the left, the new president rolled out a series of fiscal measures that did away with utility subsidies; chipping away at the purchasing power and well-being of middle and low-income households. Soon after, inconsistencies became visible, contrary to the optimistic forecasts promoted by the government.
The policies of seduction, with respect to foreign capital, involved several measures that went against the interests of the majority of the population. The discourse of pragmatism, as Max Horkheimer argued in the Eclipse of Reason (1947) in the aftermath of the World War II, degrades all complexities to a simple “rational” plan: “In our day, the hectic desire that people have to adapt themselves to something that has the power to be, whether it is called a fact or an ens rationale, has led to a state of irrational rationality” (90). In many aspects, Macri’s economic plan is structured on “planned obsolescence” (Foster and Clark, 2012: 9). The casting aside of sectors of production and its workforce mirrors the strategy imposed by the Dictatorship in the 1970s and by two democratically elected governments of early and late 1990s (Menem and De la Rúa) all of which led up to a tragic social genocide in the wake of the 2001 economic crisis.[i]
Since 2015 Argentina’s economy has displayed the all too familiar signs of neoliberal malaise: inflation has risen to around 50% a year, the peso was devalued by 400%, interest rates have ballooned to 65% making it harder for small businesses (PYMES) to borrow money, and poverty has risen to 32%.  Even more alarming is the loss of purchasing power, as salaries depreciated between 15% and 20% (Katz, 2019). As if this were not enough, Macri’s government has borrowed 57 billion dollars from the International Monetary Fund (IMF), and has opened the economy up to imports, wrecking industries. Luciana Zorzoli (2019) writing for Jacobin puts it this way: “Reestablishing ties with the IMF allows Macri to both reconnect with ruling economic hubs and introduce a powerful external actor that can help discipline political and popular demands in the country (by loading the country up with debt) and push through his neoliberal program” (2). In addition, Zorzoli explains to readers that this rescue package from the IMF is the most generous package in the institution’s history.  When looking at perfect storms like this,  Claudio Katz reminds us in La economía marxista hoy: seis debates teóricos (2010) that these economic conditions are fertile ground for speculators and vulture funds (72).

May 4, 2018

Introduction, Media, Politics, and Democratization in Latin America

:::::: Introduction ::::::



Media, Politics, and Democratization in Latin America
by  Javier Campo, Tomás Crowder-Taraborrelli


This issue has a predecessor from decades ago: Culture in the Age of Mass Media (Burton and Franco, 1978). Forty years may have gone by, but some problems and major concepts remain: resistance, ideological manipulation (though today we use the term “hegemonic cultural influence”), mass communication, and new media technologies. Latin America was then ruled by some of history’s bloodiest military dictatorships, while today the return of right-wing governments after a decade of popular governments is disconcerting. The hopeful ending of Burton and Franco’s introduction (“This repression has been unable to destroy the people’s culture, which continues to find avenues to express resistance” [1978: 10]) has led to a fruitful harvest in recent years, quickly provoking a backlash (often violent). Today we are witnessing a substantial investment in the militarization of police forces and electronic surveillance systems—in particular, the social networks used by young cyber-activists who have grown up with the Internet and, as Linda Herrera (2014: 2–3) points out regarding the riots in Egypt (the “Twitter revolution”), are accustomed to defending their political agendas online.

May 1, 2018

NEW LAP Issue! Media, Politics, and Democratization in Latin America


Edited by: Javier Campo and Tomás Crowder-Taraborrelli
Issue 220 | Volume 45 | Number 3 | May 2018




TABLE OF CONTENTS


This special issue of Latin American Perspectives investigates a matter that has undergone critical transformations in recent years. From the period of progressive governments to the current neoliberal restoration, the media went from being thought of as a public service to a private business. This issue features articles on Ecuador, Brazil, Bolivia, Chile, Mexico and Argentina and covers a broad disciplinary spectrum of studies: from the laws of communication put into practice or projected, to the deregulation of the most advanced legislations of Latin America, to communication rights, audiovisual analysis, memory studies and historiographies of the Latin American left.

The editors were committed to organizing a special issue about the favorable democratization of the media, but in the process, the media landscape was transformed into a reactionary onslaught of the monopolies of information and communication; a process that ended in the electoral victories of right-wing corporatists.

LISTEN TO THE PODCAST!

July 11, 2017

Interview with Tomás Crowder-Taraborrelli on Macri's Presidency in Argentina





Dr. Tomas Crowder-Taraborrelli, a coordinating editor for LAP, discusses the economic and social policies of current Argentine president Mauricio Macri and popular resistance against them.


Argentina a Decade after the Collapse: The Causes of the Crisis and Structural Changes 
Latin American Perspectives 
Issue 200 Vol. 42 #1 January 2015
Available here.



Argentina a Decade after the Collapse: Old and New Social Movements
Latin American Perspectives 
Issue 201 Vol. 42 #2 March 2015
Available here.


September 22, 2016

Film Review, Solutions from Below: Pedagogical Documentaries and Praxis by Kristi M. Wilson and Tomás Crowder-Taraborrelli

:::::: Film Review ::::::

Solutions from Below: Pedagogical Documentaries and Praxis
by Kristi M. Wilson and Tomás Crowder-Taraborrelli

Alejandro Ramírez Anderson, Tierralismo: Stories from a Cooperative Farm, 2013
José Cohen, H2Omx, 2013

December 24, 2015

Film Review: Latin American Dreaming

Film Review:  Latin American Dreaming, A Neoliberal Vision for Retirement

by Kristi M. Wilson and Tomás Crowder-Taraborrelli
Anayansi Prado Paraíso for Sale. (United States/Panama, 2011)



Paraíso for Sale, directed by Anayansi Prado (also the director of Maid in America, 2005, and Children in No Man’s Land, 2008), treats the topic of Canadian and American retirees’ looking to stretch their dollars, buy second homes, and unwind in the sun by relocating (often permanently) to the Caribbean. It presents ample evidence of the looting of prime real estate in the Caribbean, where international corporations disembark with billions of dollars, pressure the locals to sell their land, and entice politicians not to enforce the law or, worse, to break it.

November 25, 2015

Meet LAP Editor Tomás Crowder-Taraborelli


Tomas Crowder-Taraborelli, PhD
Visiting Assistant Professor of Latin American Studies

Phone: 949-480-4327
Fax: 949-480-4243
Email: tcrowdertaraborrelli@soka.edu
http://www.tcrowdertaraborrelli.com/
Faculty - Full-Time
BIOGRAPHY

Tomás Crowder-Taraborrelli studied journalism and film at San Francisco State University, where he received his Bachelor of Arts degree in 1990. In 1994,  he received a master's degree in Comparative Literature from San Francisco State University. He then went into the Spanish and Portuguese doctoral program at the University of California, Irvine and received his Ph. D in 2001. Before coming to SUA, Dr. Crowder-Taraborrelli taught at the University of San Francisco, where he founded the film collective Cine Campesino and made two documentaries in Honduras (2002-2004). He then received a Fellowship in the Humanities at Stanford University, California, where he taught and did research on the role of cinema in the investigation of crimes against humanity. He also co-founded the Stanford Film Lab and ran it from 2004-2008. Dr. Crowder-Taraborrelli also studied scriptwriting, lighting and direction at the Film Arts Foundation, San Francisco, California. He has given lectures and workshops on film and is one of the editors of the anthology Film and Genocide (University of Wisconsin Press, 2012).

Learn more about Tomas Crowder-Taraborelli, PhD...

November 19, 2015

Film Review, Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur by: Tomás Crowder-Taraborrelli

Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur

by:  Tomás Crowder-Taraborrelli

Everardo González, Cuates de Australia (Drought). Mexico, 2012
José Luis García, La chica del sur (The Girl from the South). Argentina, 2012


Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. This is a daunting realization that the current crop of young filmmakers is trying to grapple with. Two recent documentary films from Mexico and Argentina bring the topic of social and cultural migration into focus, giving international audiences the opportunity to enter otherwise inaccessible worlds. Cuates de Australia (Drought) from Mexico and La chica del sur (The Girl from the South) from Argentina display contrasting approaches to portraying the hardships of relocation.

November 5, 2015

Film Review, Latin American Dreaming, A Neoliberal Vision for Retirement by Kristi M. Wilson and Tomás Crowder-Taraborrelli

Film Review:  Latin American Dreaming, A Neoliberal Vision for Retirement

by Kristi M. Wilson and Tomás Crowder-Taraborrelli
Anayansi Prado Paraíso for Sale. (United States/Panama, 2011)



Paraíso for Sale, directed by Anayansi Prado (also the director of Maid in America, 2005, and Children in No Man’s Land, 2008), treats the topic of Canadian and American retirees’ looking to stretch their dollars, buy second homes, and unwind in the sun by relocating (often permanently) to the Caribbean. It presents ample evidence of the looting of prime real estate in the Caribbean, where international corporations disembark with billions of dollars, pressure the locals to sell their land, and entice politicians not to enforce the law or, worse, to break it.

October 15, 2015

Film, Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur

Film Review:  Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur


172 Film Review:  Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur
by: Tomás Crowder-Taraborrelli, Everardo González, Cuates de Australia (Drought).
Mexico, 2012 José Luis García La chica del sur (The Girl from the South). Argentina, 2012

 Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. This is a daunting realization that the current crop of young filmmakers is trying to grapple with. Two recent documentary films from Mexico and Argentina bring the topic of social and cultural migration into focus, giving international audiences the opportunity to enter otherwise inaccessible worlds. Cuates de Australia (Drought) from Mexico and La chica del sur (The Girl from the South) from Argentina display contrasting approaches to portraying the hardships of relocation.

October 1, 2015

Film, Interview with Bill Nichols by Tomás Crowder-Tarraborreli

Bill Nichols is one of the most influential historians and theorists of documentary film...



Interview with BILL NICHOLS by Tomás Crowder-Tarraborreli

He is widely cited in articles across the world. Some of his most important works are: Ideology and the image: social representation in the cinema and other media (Bloomington Indiana University Press, 1981), Representing Reality: Issues and Concepts in Documentary (Indiana University Press, 1991), Blurred Boundaries (Indiana University Press, 1994) and Introduction to Documentary (Indiana University Press, 2001). He teaches film at San Francisco State University. His enthusiasm for documentary film comes through even in casual conversations and especially during this interview in Tijuana, in the first week of BorDocs, the documentary film forum. http://bordocs.com/?lang=en. A few minutes before the interview, Mr. Nichols had given a two-hour master class on the ethical challenges of documentary filmmakers.

September 17, 2015

Film Review, Solutions from Below: Pedagogical Documentaries and Praxis by Kristi M. Wilson and Tomás Crowder-Taraborrelli

:::::: Film Review ::::::

Solutions from Below: Pedagogical Documentaries and Praxis
by Kristi M. Wilson and Tomás Crowder-Taraborrelli

Alejandro Ramírez Anderson, Tierralismo: Stories from a Cooperative Farm, 2013
José Cohen, H2Omx, 2013

August 27, 2015

Film Review, Latin American Dreaming. A Neoliberal Vision for Retirement.

Film Review: Latin American Dreaming. A Neoliberal Vision for Retirement
by Kristi M. Wilson and Tomás Crowder-Taraborrelli
Anayansi Prado, Paraíso for Sale. United States/Panama, 2011

Paraíso for Sale, directed by Anayansi Prado (also the director of Maid in America, 2005, and Children in No Man’s Land, 2008), treats the topic of Canadian and American retirees’ looking to stretch their dollars, buy second homes, and unwind in the sun by relocating (often permanently) to the Caribbean.

August 20, 2015

Film Review: Cuates de Australia and La chica del sur

Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur 
by Tomás Crowder-Taraborrelli



Everardo González Cuates de Australia (Drought). Mexico, 2012

José Luis García La chica del sur (The Girl from the South). Argentina, 2012 Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. This is a daunting realization that the current crop of young filmmakers is trying to grapple with. Two recent documentary films from Mexico and Argentina bring the topic of social and cultural migration into focus, giving international audiences the opportunity to enter otherwise inaccessible worlds. Cuates de Australia (Drought) from Mexico and La chica del sur (The Girl from the South) from Argentina display contrasting approaches to portraying the hardships of relocation.

August 13, 2015

Film Review(s): El último Elvis; Las acacias; and El Estudiante, by Tomás Crowder-Taraborrelli

Three recent Argentine films explore the social reality of marginalized communities.

Homo artis, Homo laborans, and Homo politicus
The Pursuit of Redemption in Three Recent Argentine Films

by
 Tomás Crowder-Taraborrelli

El último Elvis, directed by Armando Bo

Las acacias, directed by Pablo Giorgelli
El Estudiante, directed by Santiago Mitre

July 30, 2015

Interview with Bill Nichols by Tomás Crowder-Tarraborreli

Bill Nichols is one of the most influential historians and theorists of documentary film.                                                        
He is widely cited in articles across the world. Some of his most important works are: Ideology and the image: social representation in the cinema and other media (Bloomington Indiana University Press, 1981), Representing Reality: Issues and Concepts in Documentary (Indiana University Press, 1991), Blurred Boundaries (Indiana University Press, 1994) and Introduction to Documentary (Indiana University Press, 2001). He teaches film at San Francisco State University. His enthusiasm for documentary film comes through even in casual conversations and especially during this interview in Tijuana, in the first week of BorDocs, the documentary film forum. http://bordocs.com/?lang=enA few minutes before the interview, Mr. Nichols had given a two-hour master class on the ethical challenges of documentary filmmakers. 

July 23, 2015

Film Review: Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur

Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur

by:  Tomás Crowder-Taraborrelli

Everardo González, Cuates de Australia (Drought). Mexico, 2012
José Luis García, La chica del sur (The Girl from the South). Argentina, 2012


Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. This is a daunting realization that the current crop of young filmmakers is trying to grapple with. Two recent documentary films from Mexico and Argentina bring the topic of social and cultural migration into focus, giving international audiences the opportunity to enter otherwise inaccessible worlds. Cuates de Australia (Drought) from Mexico and La chica del sur (The Girl from the South) from Argentina display contrasting approaches to portraying the hardships of relocation.

July 9, 2015

Film Review: Latin American Dreaming

Film Review:  Latin American Dreaming, A Neoliberal Vision for Retirement

by Kristi M. Wilson and Tomás Crowder-Taraborrelli
Anayansi Prado Paraíso for Sale. (United States/Panama, 2011)



Paraíso for Sale, directed by Anayansi Prado (also the director of Maid in America, 2005, and Children in No Man’s Land, 2008), treats the topic of Canadian and American retirees’ looking to stretch their dollars, buy second homes, and unwind in the sun by relocating (often permanently) to the Caribbean. It presents ample evidence of the looting of prime real estate in the Caribbean, where international corporations disembark with billions of dollars, pressure the locals to sell their land, and entice politicians not to enforce the law or, worse, to break it.

June 25, 2015

Film Review: Homo artis, Homo laborans, and Homo politicus

Film Review: Homo artis, Homo laborans, and Homo politicus



Homo artis, Homo laborans, and Homo politicus The Pursuit of Redemption in Three Recent Argentine Films 
by Tomás Crowder-Taraborrelli
Armando Bo, El último Elvis. Argentina, 2012
Pablo Giorgelli Las acacias. Argentina, 2011
Santiago Mitre El estudiante. Argentina, 2011

 One cannot be short of themes while there is still plenty of reality. Any hour of the day, any place, any person, is a subject for narrative if the narrator is capable of observing and illuminating all these collective elements by exploring their interior value. —Cesare Zavattini

June 18, 2015

Film Review: Migration, Regional Traditions

Film Review:  Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur


172 Film Review:  Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur
by: Tomás Crowder-Taraborrelli, Everardo González, Cuates de Australia (Drought).
Mexico, 2012 José Luis García La chica del sur (The Girl from the South). Argentina, 2012

 Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. This is a daunting realization that the current crop of young filmmakers is trying to grapple with. Two recent documentary films from Mexico and Argentina bring the topic of social and cultural migration into focus, giving international audiences the opportunity to enter otherwise inaccessible worlds. Cuates de Australia (Drought) from Mexico and La chica del sur (The Girl from the South) from Argentina display contrasting approaches to portraying the hardships of relocation.